by David Ulansey

In Studies in Mithraism, John R.Hinnells,

ed. (Rome: "L'Erma" di Brettschneider, 1994) pp. 257-64.
 

One of the most perplexing aspects of the Mithraic mysteries consists in the fact that Mithraic iconography always portrays Mithras and the sun god as separate beings, while-- in stark contradiction to this absolutely consistent iconographical distinction between Mithras and the sun-- in Mithraic inscriptions Mithras is often identified with the sun by being called "sol invictus," the "unconquered sun." It thus appears that the Mithraists somehow believed in the existence of two suns: one represented by the figure of the sun god, and the other by Mithras himself as the "unconquered sun." It is thus of great interest to note that the Mithraists were not alone in believing in the existence of two suns, for we find in Platonic circles the concept of the existence of two suns, one being the normal astronomical sun and the other a so-called "hypercosmic" sun located beyond the sphere of the fixed stars.

In my book The Origins of the Mithraic Mysteries I have argued that the god Mithras originated as the personification of the force responsible for the newly discovered cosmic phenomenon of the precession of the equinoxes. Since from the geocentric perspective the precession appears to be a movement of the entire cosmic sphere, the force responsible for it most likely would have been understood as being "hypercosmic," beyond or outside of the cosmos. It will be my argument here that Mithras, as a result of his being imagined as a hypercosmic entity, became identified with the Platonic "hypercosmic sun," thus opening up the way for the puzzling existence of two "suns" in Mithraic ideology.

The most important source for our knowledge of the Platonic tradition of the existence of two suns is the Chaldaean Oracles, the collection of enigmatic sayings generated late in the second century C.E. by a father and son both named Julian. These oracular sayings were, as is well known, seized upon by Porphyry and later Neoplatonists as constituting a divine revelation. For our purposes, the most important element in the Chaldaean teachings is that of the existence of two suns. As Hans Lewy says,

The Chaldaeans distinguished between two fiery bodies: one possessed of a noetic nature and the visible sun. The former was said to conduct the latter. According to Proclus, the Chaldaeans call the "solar world" situated in the supramundane region "entire light." In another passage, this philosopher states that the supramundane sun was known to them as "time of time...."[1]

As Lewy showed definitively in his study, the Chaldaean Oracles were the product of a Middle Platonic milieu, since they are permeated by concepts and images known from Platonizing thinkers ranging from Philo to Numenius. It is thus likely that the Chaldaean concept of a hypercosmic sun is at least partly derived from the famous solar allegories of Plato's Republic, in which the sun is used as a symbol for the highest of Plato's Ideal Forms, that of the Good. In Book VI of the Republic (508Aff.) Plato compares the sun to the Good, saying that as the sun is the source of all illumination and understanding in the visible world (the horatos topos), the Good is the supreme source of being and understanding in the world of the forms (the noetos topos or "intelligible world"). Plato then amplifies this image in his famous allegory of the cave at the beginning of Book VII of the Republic. In this famous passage, Plato symbolizes normal human life as life in a cave, and then describes the ascent of one of the cave-dwellers up out of the cave where he sees for the first time the dazzling light of the sun outside the cave.

Thus in Book VI of the Republic we see the image of the sun used as a metaphor for the Form of the Good--the source of all being which exists in the "intelligible world" beyond the ordinary "visible world" of human experience--and then in Book VII, in the allegory of the cave, this same image of the sun is used even more concretely to symbolize that which exists outside of the normal human world represented by the cave.

In addition, as has often been noted, there seems to have been a connection in Plato's imagination between his allegory in Book VII of the Republic of the ascent of the cave dweller to the sunlit world outside the cave and his myth in the Phaedrus of the ascent of the soul to the realm outside of the cosmos where "True Being" dwells. The account in the Phaedrus reads:

For the souls that are called immortal, so soon as they are at the summit [of the heavens], come forth and stand upon the back of the world: and straightway the revolving heaven carries them round, and they look upon the regions without. Of that place beyond the heavens none of our earthly poets has yet sung, and none shall sing worthily. But this is the manner of it, for assuredly we must be bold to speak what is true, above all when our discourse is upon truth. It is there that true being dwells, without colour or shape, that cannot be touched; reason alone, the soul's pilot, can behold it, and all true knowledge is knowledge thereof. [2]

As R. Hackforth says,

No earlier myth has told of a hyperouranios topos [place beyond the heavens], but this is not the first occasion on which true Being, the ousia ontos ousa, has been given a local habitation. In the passage of Rep. VI which introduces the famous comparison of the Form of the Good to the sun we have a noetos topos contrasted with a horatos (508C): but a spatial metaphor is hardly felt there.... A truer approximation to the hyperouranios topos occurs in the simile of the cave in Rep. VII, where we are plainly told that the prisoners' ascent into the light of day symbolizes ten eis ton noeton tes psyches anodon (517B); in fact, the noetos topos of the first simile has in the second developed into a real spatial symbol. [3]

Paul Friedländer agrees with Hackforth completely in seeing a connection in Plato's mind between the ascent from the cave in the Republic and the ascent to the "hypercosmic place" in the Phaedrus:

The movement "upward"... had found its fullest expression in the allegory of the cave in the Republic. [Now in the Phaedrus]... the dimension of the "above" is stated according to the new cosmic co-ordinates. For the "intelligible place" (topos noetos) in the Republic (509D, 517B) now becomes "the place beyond the heavens" (topos hyperouranios)...[4]

What is, of course, important to see here is that there exists already in Plato the obvious raw material for the emergence of the idea of the "hypercosmic sun": when the prisoners escape the cave in the Republic what they find outside it is the sun, but if Hackforth and Friedländer are correct the vision of what is outside the cave in the Republic is linked in Plato's mind with the vision of what is outside the cosmos in the myth recounted in the Phaedrus. It would therefore be a natural and obvious step for a Platonist to imagine that what is outside the cosmic cave of the Republic--namely, the sun, the visible symbol of the highest of the Forms and of the source of all being--is also what is to be found outside the cosmos in the "hypercosmic place" described in the Phaedrus.

An intermediate stage in the development of the concept of the "hypercosmic sun" between Plato and the Chaldaean Oracles can be glimpsed in Philo's writings, for example in the following passage from De Opificio Mundi:

The intelligible as far surpasses the visible in the brilliancy of its radiance, as sunlight assuredly surpasses darkness.... Now that invisible light perceptible only by mind...is a supercelestial constellation [hyperouranios aster], fount of the constellations obvious to sense. It would not be amiss to term it "all-brightness," to signify that from which sun and moon as well as fixed stars and planets draw, in proportion to their several capacity, the light befitting each of them...[5]

Here we see Philo referring to the existence in the intelligible sphere of a "hypercosmic star" (hyperouranios aster) which he links with the image of sunlight, and which he sees as the ultimate source of the light in the visible heavens.[6]  Philo's formulation here is, of course, strikingly similar to the Chaldaean concept of the hypercosmic sun, the description of which by Lewy we should recall here: "The Chaldaeans distinguished between two fiery bodies: one possessed of a noetic nature and the visible sun. The former was said to conduct the latter. According to Proclus, the Chaldaeans call the 'solar world' situated in the supramundane region 'entire light.'" [7]

The trajectory we have been tracing from Plato through Middle Platonism to the Chaldaean Oracles continues beyond the time of the Chaldaean Oracles into early Neoplatonism, for we find the concept of the existence of two suns clearly spelled out in the writings of Plotinus, in a context that makes it clear that for Plotinus one of these suns was "hypercosmic." In chapter 2, paragraph 11 of his fourth Ennead, Plotinus speaks of two suns, one being the normal visible sun and the other being an "intelligible sun." According to Plotinus,

...that sun in the divine realm is Intellect-- let this serve as an example for our discourse-- and next after it is soul, dependent upon it and abiding while Intellect abides. This soul gives the edge of itself which borders on this [visible] sun to this sun, and makes a connection of it to the divine realm through the medium of itself, and acts as an interpreter of what comes from this sun to the intelligible sun and from the intelligible sun to this sun... [8]

What is especially interesting for us is that in the same third chapter of the fourth Ennead, a mere six paragraphs after the passage just quoted, Plotinus explicitly locates the intelligible realm-- which he has just told us is the location of a second sun-- in the space beyond the heavens. The passage reads:

One could deduce from considerations like the following that the souls when they leave the intelligible first enter the space of heaven. For if heaven is the better part of the region perceived by the senses, it borders on the last and lowest parts of the intelligible. [9]

As A.H. Armstong says of this passage, "There is here a certain 'creeping spatiality'... [Plotinus'] language is influenced, perhaps not only by the 'cosmic religiosity' of his time, but by his favorite myth in Plato's Phaedrus (246D6-247E6)." [10] In any event, we here find Plotinus in the third chapter of the fourth Ennead first positing the existence of an "intelligible sun" besides the normal visible sun, and then locating the intelligible realm spatially in the region beyond the outermost boundary of the heavens.

Finally, to return to the Chaldaean Oracles, the fact that the Chaldaean concept of the "hypercosmic sun" was at least sometimes taken in a completely literal and spatial sense is shown by a passage from the Platonizing Emperor Julian's Hymn to Helios. According to Julian, in certain unnamed mysteries it is taught that "the sun travels in the starless heavens far above the region of the fixed stars." [11] Given the fact that Julian's thinking was steeped in the Neoplatonic philosophy of Iamblichus who was deeply committed to the Chaldaean Oracles as a source of divinely inspired knowledge, and given the fact that the doctrine of the "hypercosmic sun" is an established teaching of the Chaldaean Oracles, it is virtually certain, as Robert Turcan points out in his remarks about this passage, that Julian is referring here to the teaching of the Chaldaean Oracles. [12] The passage from Julian, therefore, shows that the "hypercosmic sun" of the Chaldaean Oracles was understood as being "hypercosmic" not in a merely symbolic or metaphysical sense,

but rather in the literal sense of being located physically and spatially in the region beyond the outermost boundary of the cosmos defined by the sphere of the fixed stars.

Our discussion thus far has shown that in the late second century C.E. there is found in the Chaldaean Oracles the doctrine of the existence of two suns: one the normal, visible sun, and the other a "hypercosmic" sun. The evidence from Julian shows that the "hypercosmic" nature of this second sun was understood as meaning that it was literally located beyond the outermost sphere of the fixed stars. The fact that the Chaldaean Oracles emerged out of the milieu of Middle Platonism suggests that the doctrine of the "hypercosmic sun" found in the Oracles did not develop overnight, but that it has roots in the Platonic tradition, most likely, as we have seen, going back ultimately to Plato himself: specifically, to the allegory in the Republic of the ascent beyond the world-cave to the sunlit realm outside and the related myth of the Phaedrus describing the ascent of the soul towards its ultimate vision of the hyperouranios topos, the "hypercosmic place" beyond the heavens. An intermediate stage between Plato and the Chaldaean Oracles is found in Philo's reference to the "hypercosmic star" which is the source of the light of the visible heavenly bodies, and slightly later than the Chaldaean Oracles we find Plotinus making reference to two suns, one of them being in the intelligible realm which he places spatially beyond the heavens.

We may say, therefore, that it is likely that there existed in Middle Platonic circles during the second century C.E. (and probably much earlier as well) speculations about the existence of a second sun besides the normal, visible sun: a "hypercosmic" sun located in that "place beyond the heavens" (hyperouranios topos) described in Plato's Phaedrus.

For although it is the case that the constellation Taurus as seen from the earth (i.e., from inside the cosmos) faces to the left, it is also the case that on ancient (and modern) star-globes which depict the cosmic sphere as it would be seen from the outside the orientation of the constellations is naturally reversed, with the result that on such globes (like the famous ancient "Atlas Farnese" globe - image right) Taurus is always depicted facing to the right exactly like the bull in the tauroctony. This shows that the Mithraic bull is meant to represent the constellation Taurus as seen from outside the cosmos, i.e. from the "hypercosmic" perspective, which is, of course, precisely the perspective we should expect to find associated with Mithras if my argument in this paper is correct.[13]

Second, the line of investigation I have pursued here can also provide a simple and convincing interpretation of the iconographical motif known as the "rock-birth" of Mithras, in which Mithras is shown emerging out of a rock. As is well known, Porphyry, quoting Eubulus, explains in the Cave of the Nymphs that the Mithraic cave in which Mithras kills the bull and which the Mithraic temple imitates was meant to be an image of the cosmos (De Antro. 6). Of course, the hollow Mithraic cave would have to be an image of the cosmos as seen from the inside. But caves are precisely hollows within the rocky earth, which suggests the possibility that the rock out of which Mithras is born is meant to represent the cosmos as seen from the outside. Confirmation of this interpretation is provided by the fact that the rock out of which Mithras is born is often shown entwined by a snake, a detail which unmistakably evokes the famous Orphic motif of the snake-entwined cosmic egg out of which the cosmos was formed when the god Phanes emerged from it at the beginning of time. [14] It thus seems reasonable to conclude that the rock in the Mithraic scenes of the "rock-birth" of Mithras is a symbol for the cosmos as seen from the outside, just as the cave (the hollow within the rock) is a symbol for the cosmos as seen from the inside.

I would argue, therefore, that the "rock-birth" of Mithras (left) is a symbolic representation of his "hypercosmic" nature. Capable of moving the entire universe, Mithras is essentially greater than the cosmos, and cannot be contained within the cosmic sphere. He is therefore pictured as bursting out of the rock that symbolizes the cosmos (not unlike the prisoner emerging from the cosmic cave described by Plato in Rep. VII), breaking through the boundary of the universe represented by the rock's surface and establishing his presence in the "hypercosmic place" indicated by the space into which he emerges outside of the rock.

And, to conclude, in this context it is no accident that in the "rock-birth" scenes Mithras is almost always shown holding a torch; for having established that his proper place is outside of the cosmos, Mithras has become identified with the "hypercosmic sun": that light-giving being which dwells, as Proclus says,

in the supermundane (worlds) [en tois hyperkosmiois]; for there exists the "solar world (and the) whole light..." as the Chaldaean Oracles say and which I believe. [15]

 

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NOTES

[1] Hans Lewy, Chaldaean Oracles and Theurgy (Paris: Études Augustiniennes, 1978) pp. 151-2.
[2] 247B-C; trans. R. Hackforth, Plato's Phaedrus (Cambridge: Cambridge University Press, 1952) pp. 71,78.
[3] Ibid., pp. 80-1.
[4] Paul Friedländer, Plato I: An Introduction (New York: Pantheon Books, 1958) p. 194.
[5] VIII.31; trans. F.H. Colson, Philo (London: William Heinemann, 1929) vol. 1, p. 25.
[6] Philo often speaks of God using expressions such as the "intelligible sun" (noetos helios [Quaest. in Gen. IV.1; see Ralph Marcus, trans., Philo Supplement 1: Questions and Answers on Genesis (Cambridge: Harvard University Press, 1953) p. 269, n.l]) or similar expressions involving light and illumination located in the intelligible realm; for references see Pierre Boyancé, Études sur le songe de Scipion (Paris: E. de Boccard, 1936) pp. 73-4; Lewy, Chaldaean Oracles, p. 151, n. 312; David Runia, Philo of Alexandria and the Timaeus of Plato (Leiden: E.J. Brill, 1986) p. 435 and n. 143. Boyancé (p. 73-4) quite reasonably argues that such expressions were identical in Philo's mind with the hyperouranios aster ("hypercosmic star") of De Opificio Mundi VIII.31.
[7] For a superb discussion of the broader context in which the development of the concept of the "hypercosmic sun" most likely occured, see Boyancé, Études, pp. 65-77. Recently A.P. Bos has argued that the story of the ascent to the sunlit world outside of the cave in Plato's Republic was explicitly connected by Aristotle with Plato's image in the Phaedrus of the ascent of the soul to the "place beyond the heavens," and that this connection played a central role in one of Aristotle's lost dialogues whose major elements were then preserved and utilized by Plutarch in his De Facie. See A.P. Bos, Cosmic and Meta-Cosmic Theology in Aristotle's Lost Dialogues (Leiden: E.J. Brill, 1989): the argument is complex and the book should be read as a whole, but see esp. pp. 67-8, 182. The development of the concept of the "hypercosmic sun" also must, of course, be seen in the context of the evolution of the "solar theology" described by Franz Cumont in his La théologie solaire du paganisme romain (Paris: Librairie Kliensieck, 1909). A very important and intriguing argument is made for the presence of a tradition of a "hypercosmic sun" in Orphic circles by Hans Leisegang, "The Mystery of the Serpent," in Joseph Campbell, ed., The Mysteries (Princeton: Princeton University Press, 1955) pp. 194-261. The Greek magical papyri and the Hermetic corpus provide numerous examples of solar imagery in which the sun is in various ways symbolically elevated to at least the summit of the cosmos if not explicitly to a "hypercosmic" level. Finally, Hermetic, Gnostic, and Neoplatonic texts all betray an almost obsessive concern with enumerating and distinguishing the various cosmic spheres and levels, and especially with establishing where the boundary lies between the cosmic and the hypercosmic realms (the hypercosmic realm being identified by the Hermetists and Neoplatonists with the "intelligible world" and by the Gnostics with the "Pleroma"). This concern with establishing the boundary between the cosmic and the hypercosmic must have fed into speculations about the "hypercosmic sun," and--intriguingly--one of the clearest symbolic formulations of this boundary between the cosmic and the hypercosmic is found in the religious system of the Chaldaean Oracles (exactly, that is, in the system in which we find explicitly formulated the image of the "hypercosmic sun"), where the figure of Hecate is understood as the symbolic embodiment of precisely this boundary (on the image of Hecate in the Chaldaean Oracles see now Sarah Iles Johnston, Hekate Soteira [Atlanta: Scholars Press, 1990]).
[8] IV, 3.11.14-22; trans. A.H. Armstrong, Plotinus (Cambridge, Mass., 1984) vol. 4, pp. 71-73.
[9] IV.3.17.1-6; ibid, pp. 87-89.
[10] Ibid., p. 88, n. 1.
[11] Or. 4.148A; trans. W. C. Wright, Julian (Cambridge: Harvard University Press, 1962) p. 405.
[12] Robert Turcan, Mithras Platonicus (Leiden: E.J. Brill, 1975) p. 124. Julian was well acquainted with the Chaldaean Oracles: see Polymnia Athanassiadi-Fowden, Julian and Hellenism (Oxford: Oxford University Press, 1981) pp. 143-53. Roger Beck has recently suggested that Julian is referring here to the Iranian cosmology in which the sun and moon are located beyond the stars (Planetary Gods and Planetary Orders in the Mysteries of Mithras [Leiden: E.J. Brill, 1988], pp. 2-3, n.2). However, Julian's intimate association with Iamblichus and the Chaldaean Oracles, in which the doctrine of the "hypercosmic sun" is well established, renders the possibility that Julian is referring to the Iranian tradition highly unlikely. As Hans Lewy says, "There seems to be no connection between [Julian's teaching] and Zoroaster's doctrine according to which the sun is situated above the fixed stars" (Chaldaean Oracles, p. 153, n. 317). However, it is certainly true that the existence of the Iranian cosmology placing the sun beyond the stars could easily have provided some additional motivation for the emergence of the identification between the "Persian" Mithras and the Platonic "hypercosmic sun" for which I have argued here. On the Iranian cosmology see M.L. West, Early Greek Philosophy and the Orient (Oxford: Oxford University Press, 1971), pp. 89-91; Walter Burkert, "Iranisches bei Anaximandros," Rheinisches Museum 106 (1963) pp. 97-134.
[13] It should be noted that the fact that the bull in the tauroctony faces to the right renders untenable Roger Beck's suggestion that the tauroctony is a picture of the night sky as seen by an observer on earth at the time of the setting of the constellation Taurus ("Cautes and Cautopates: Some Astronomical Considerations," Journal of Mithraic Studies 2.1 [1977] p. 10; Planetary Gods and Planetary Orders in the Mysteries of Mithras [Leiden: E.J. Brill, 1988] p. 20), since such an observer would see Taurus facing to the left. The fact that the bull in the tauroctony faces right is explicable only if we understand the tauroctony as the creation of someone who had in mind an astronomical star-globe showing the cosmic sphere as seen from the outside, and not-- as Beck argues-- an image of the sky as seen from the earth.
[14] That the rock from which Mithras is born was identified with the Orphic cosmic egg is in fact proven beyond doubt, as is well known, by the striking similarity between the Mithraic Housesteads monument (CIMRM 860), which shows Mithras being born out of an egg (which is thus identified with the rock from which he is usually born), and the famous Orphic Modena relief showing Phanes breaking out of the cosmic egg (CIMRM 695). In connection with this Orphic-Mithraic syncretism, Hans Leisegang, "Mystery of the Serpent" (above, n. 8), esp. pp. 201-215, has collected a fascinating body of material--including among other things the Modena relief and the passage from Julian which I have discussed above--supporting the contention that the breaking of the Orphic cosmic egg is linked directly with the concept of the "hypercosmic." Leisegang's discussion as a whole provides strong support for my general argument in this paper.
[15] Chaldaean Oracles Frag. 59 (= Proclus, In Tim. III.83.13-16); trans. Ruth Majercik, The Chaldaean Oracles (Leiden: E.J. Brill, 1989) p. 73. The sun was often imagined in antiquity as a torchbearer, as for example in SVF 1:538: "Cleanthes... used to say... that the sun is a torchbearer" (cited in Jean Pépin, "Cosmic Piety," in Classical Mediterranean Spirituality [New York: Crossroad, 1986] p. 425); a fragment from Porphyry: "In the mysteries of Eleusis, the hierophant is dressed as demiurge, the torchbearer as the sun..." (also cited in Pepin, "Piety," p. 429); and of course Lucius in Apuleius' Golden Ass XI.24: "In my right hand I carried a lighted torch... thus I was adorned like unto the sun...." (trans. W. Adlington, Apuleius The Golden Ass [London: William Heinemann, 1928] p. 583).